Design Student's Orgasm: They've toned it down a bit recently and hopefully listened to reader criticism.The magazine as a whole probably qualifies as the print equivalent of Creepypasta. Creepypasta: A recurring theme concerns how much classical childrens' TV content of The '60s and The '70s had a weird, disconcerting, Fortean dimension that had almost completely died out of childrens' TV by The '80s.Conspiracy Theorist: The magazine drily catalogs the latest instances of Wild Mass Guessing by them.Chupacabra: The magazine has a fascination with this example of cryptozoology.Black Eyes of Evil: The BEK (Black Eyed Children) as above.A far cry from cuteness, humor or whimsy. They are often drawn/depicted with the classic Black Bead Eyes and depictions of them can be very sinister-looking indeed. The magazine has explored this phenomena which is on the borderline of being an Urban Myth, noting that these sinister entities are said to approach isolated people, claiming to be children in distress needing help, but who radiate malevolence and sinister intent. Black Bead Eyes: The panic about " Black-Eyed Children " who are weird and sinister and not all they seem to be.The legend of the phantom hitch-hiker on Bluebell Hill in Essex, for instance, appears to date back to the 1950's but the ghostly girl hitching a lift has been seen and reported on so often that this now has all the status of myth. Beware of Hitchhiking Ghosts: FT has collated these stories from around Great Britain, ones which began almost as soon as the first cars rolled off the production lines and those which seem to go back even further and have been "repurposed" for the internal combustion engine.Aura Vision: The whole field of auras, from mysticism, psychic claims, through Kirlian photography and medical conditions such as HSD migraines.Arkham's Razor: While holding to the sensible point of view that Occam's Razor is generally the right approach to take in evaluating evidence, FT is keen to point out that Arkham's Razor should not be scorned and may, in some circumstances, at least be more entertaining and maybe even potentially useful.Aliens Steal Cattle: A perennial favorite.A young rebellious fairy spent the strip moaning about how dull and routine the procedure had become, before in the final panel sneaking off to a secluded dungeon to work on his "fairy chariot". Alien Fair Folk: One of Hunt Emerson's "Phenomenomix" comic strips dealt with a bunch of fairies leaving their mound to terrorize a lone traveler.Tropes currently anomalous and incapable of being explained by science include: The magazine takes a careful non-judgmental middle line, avoiding the worst excesses of either New Age credulity or James Randi-style skepticism. Religious phenomena (stigmata, appearances and simulacra and miracles, etc.).Pyramid Power and its associated cascades of conseqences.Millennialism, eschatology, and cases of mass hysteria.Cults and would-be Messiahs and prophets.Conspiracy theories ( Illuminatus! creator Robert Anton Wilson was a frequent contributor).Bizarre deaths (the regular Strange Deaths column is a popular feature). As revenue increased, the magazine went from monochrome to full colour to a larger A4 format, published monthly, in the early 1990's. Paul Sieveking joined the production team in 1978, and he and Rickard have been at the heart of the publication ever since. Like so many other print media these days it can be found online.ĭedicated to the works and philosophy of Charles Hoy Fort, an eccentric American who meticulously collected and catalogued anomalous phenomena inexplicable or thought impossible by orthodox science, the magazine soon took on a more professional footing and was professionally produced on a bimonthly basis. This was self-produced by creator Bob Rickard, and from its earliest beginnings drew in people who would become famous for other works, such as Steve Moore and Colin Wilson. The Fortean Times can trace its roots back to a 1960's-1970's Fanzine called The News - "A Miscellany of Fortean Curiosities. A whole World of Weirdness between the covers
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